Thursday, May 8, 2014

Hyundai Motor America

Hyundai Motor America Building
by Megan Pham-Le
 


             The Hyundai Motor America building, a project by the architectural design firm Gensler, is situated in Fountain Valley, California. It was completed in 2013 and is finished at 6 stories high and 504,000 sq ft. This commercial building is seeking a Gold LEED certification with its impressive list of sustainable materials and products.
             The structure will house a showroom of Hyundais vehicles which can be seen

from the 405 freeway. Adjoined to the main building is a one story, 50,000 square foot technical services facility. In addition to the Hyundai Motor America lot is a free-standing parking structure. Once inside, the entrance and lobby are seen to be two stories high.
             The façade of the building is made up of four major wall types. On floors one and two, the walls are made of captured channel glazing supported by a continuous stainless steel channel on either side by the head and sill. Custom curtain wall for levels three through six make up about 135,000 square feet of the space. This curtain wall is made up of 900 panels of 5x 10custom designed, large insulated glass. Its layers of glass is each comprised of performance coatings and grit, which is a ceramic composition that provides solar, light, and acoustical benefits. White grit speed linesin the glass help provide solar shading by reducing the heat that comes through.
            Its south, east, and west elevated walls is composed of laminated, insulated low-iron glass with enhanced acoustical properties. This will help make the glass cleaner and clearer while still being energy efficient and  maximizing the daylight penetration. The north wall of this space has insulated low iron glazing.
             The centerpiece of this architectural art is the two story atrium in the south most elevation. It  leads to an open air public courtyard at the center of the building. Surrounding this open space is point-fixed laminated glass at 3/4by deep glass fins at 18structurally supported by stainless steel fittings and splice plates. The buildings optimal energy efficient glass is still a beautiful sight that provides a view of great clarity for those looking in and out.
             The building shows its sustainability prowess even further by recycling water from the sites landscaping and its rooftop garden. The energy consumed by the use of the building is also cut down due to its efficient use of light and energy. Recyclable materials used in the construction of the building will be recycled in the future.
              Its fire lane access is built with Grasscrete, a LEED attributed concrete installed with biodegradable molded pulp formers. This system allows for emergency vehicle access, storm water runoff management, and heat island effect reduction. The sub-base and concrete of this material also uses recycled content along with the application of Grasscrete. The type of grass used in this system is UC Verde Buffalo grass, which has drought tolerant capabilities.

The Buffalo grass can actually flourish on as little as 1/4 thick of water once a week (in some locations). With its awe inspiring design, the Hyundai Motor America building is sure to receive the Gold LEED certification.
 

 


 

Lock and Key Social Drinkery

Lock and Key Social Drinkery

By:  Maria Batarce and Linda Celis
Tired of the hustle and bustle of our extremely busy schedules, Linda and I decided to venture outside of our regular stomping grounds and decided to take a trip up north, well as north as the city of Downey that is.  Downey is a city in Los Angeles County that is located 13 miles southeast of downtown Los Angeles.  Downey’s downtown slowly deteriorated until there was little nightlife, that is, until locals decided to take action and revitalize its downtown.  Marc Shelton is one Downey native that decided to invest in its downtown and opened a 3,100-square-foot gastro pub named the Lock and Key Social Drinkery in the fall of 2013.  The pub is located in what was previously the Downey Music Center

.  And this is where Linda and I ended up.  This of course was not by accident as Linda and her husband are personally acquainted with Marc Shelton.   Marc was gracious enough to allow us to tour and photograph his masterpiece two years in the making.  Marc completely gutted and renovated the interior of the building, no stone, or wall was left unturned.  As a result Marc had to deal with many of the inconveniences of remodeling an older building; this included issues with the city’s fire codes.  An interesting fact that Marc mentioned was that the fire insulation he added throughout the building is environmentally friendly as it is made of plant materials and it never catches fire.  I feel safer already!  As you enter the premises, you become enthralled with what the new design has become, Urban Rustic.  Although the place has overall masculine feel, it is beautiful and inviting.  The floors are finished concrete which not only emphasizes the masculine décor, but it is environmentally friendly as well (excellent choice Marc!).  There is wood everywhere; on the tables, walls and ceilings and we love it!  The natural wood is not only aesthetically pleasing, but it also conveys warmth and makes you feel welcomed.
The wooden tabletops appear to be made from reclaimed wood which is environmentally friendly as it is a recycled resource. The wood on the walls is actually used as wainscot as the walls are charcoal grey in color with accent walls in a silver and black harlequin pattern.
The harlequin pattern is in printed on vinyl with the black diamond area of the pattern in a velvety texture which gives the walls a cool and funky feel.  The vinyl wall covering is an excellent idea as it is not only a sustainable resource, but it is also very durable making it a perfect material for commercial use.  The booths are upholstered in tufted black vinyl; the booths are comfortable to sit in and the vinyl upholstery is very durable making it another perfect selection.  Continuing the tour of the place we decided to pay homage to the porcelain gods by visiting the restrooms.  The masculine theme continues into the restrooms, with dark vinyl wall coverings.  Although masculine, we loved the restrooms.  The walls are dark and shinny, resembling metal plating, and they create a nice clean look.
At one point I felt like I was inside a metal tool box!  We loved that the baseboards and crown moldings in the restroom are a shiny aluminum material; we felt that that small detail added a nice contrast to the dark restroom.  After our restroom detour, we headed to the bar for alcohol-free beverages.  The bar is well stocked and the overall look is sleek and modern.  There is seating at the bar comprising of black plastic chairs with a thin cushion.  Although we would not have thought that this particular seating selection would be comfortable, it actually was.   Also, the bar area is the brightest space in the bar.  There are two large flat screen televisions flanking the bar built-ins, where you can watch your favorite team play while enjoying your favorite poison.  The spirits are also well lit, inviting you to come over for a visit.  The lighting throughout the bar is very minimal; Marc wanted to create an intimate ambience by using lighting that was between 2,700 and 3,000 Kelvin which we feel it works well in the space.  Throughout our time there, we felt at ease, comfortable and relaxed; as if we were at home hanging out with a group of friends.  The pub has only been open a few months but it has already gained a following due to its hip contemporary vibe.   
We highly recommend you visit Lock and Key Social Drinkery, where the ambience is inviting, the food is delicious, and we are pretty sure the drinks will be amazing.  So next time you are looking to have a good time head out to Downtown Downey where you can let lose, have a good time and meet new friends.  Cheers!



RED O, Newport Beach


RED O
By:  Nicole Richards and Rhina Chou

          Where once was just a parking lot, now lays the vibrant, RED O restaurant in Newport Beach, which opened during the summer of 2013.  RED O at Fashion Island is the restaurant’s second location, and features Mexican Cuisine by Rick Bayless with menu items exclusive to Orange County.  According to an Irvine Company Press Room Article, the first California RED O restaurant, located off Melrose in West Hollywood, which opened in 2010, was noted as one of the “Best New Restaurants” in America with “Best Design” by Esquire magazine. 
Drama is heightened upon entering through a grand wooden and metal nail head accented door, to indulge in the 7,000 square foot free standing restaurant building at Fashion Island, “inspired by the historic villas of Mexico’s breathtaking San Miguel de Allende.” 


Instantaneously the palette is stimulated by exciting red accents and decor, paired with an authentic, rusticated vibe.  The dining patio alone consists of 1,500 square feet, polished with painted sleek, steel structured beams.  Martyn Lawrence Bullard, an award-winning Los Angeles based interior designer, is responsible for the restaurant’s “Mediterranean floor plan” and design which is made to, “evoke a feel of a lavish Mexican resort.” In an OC Foodies article, Bullard also notes on the look of the restaurant by calling it a, “modern and luxurious space that mingles with old world textures to create a beautiful and inviting space that is perfect to experience Chef Rick Bayless’ modern Mexican fare.”   

You cannot help but be in awe of RED O’s decorative and colorful stone mosaic flooring in the entryway, which according to the restaurant’s website, has been imported.  The ornate mosaic flooring utilized throughout the restaurant for continuity, flows beautifully into the open floor plan’s transition of porcelain wooden planks, which are a wise specification when it comes to maintenance in the main dining area where spillage can be prominent.  The porcelain wooden planks appear so natural and authentic that it was initially difficult to distinguish if they were porcelain or real hardwood.


While eating, no coasters are necessary for the texturized, faux wooden tables also provide proper maintenance for drinks and spills.  Even the presentation of food was reflective of the restaurant’s materials and design, with rich colors contrasted on crisp, white plates.  A variety of unique furniture, noted to be custom and described as “exotic,” is covered in upholstery that is thick to the touch for commercial grade durability.  The upholstery features everything from softened stripes to floral patterns and “distressed leather,” all tying in with the restaurant’s eclectic, yet harmonious theme.  No matter where you look, every angle of Red O has been decorated with careful consideration.  The ceilings are lined with faux wooden beams for authentic visual appeal and also with red, upholstered acoustic panels to assist with proper sound maintenance on busy nights.  Twinkling light shines through the dangling, pierced brass lanterns which Bullard reports were his own design and made in Fez, Morocco.  Walls come to life, as Bullard quotes they are filled with, “Moorish tiles mixed with distressed mirrored glass mosaics, designed exclusively by me, adding an unbelievable texture and depth to the space.” 


In addition, the walls are “dressed in deep red stained tobacco papers reminiscent of cordovan leather seen in the noble residences of Seville and Madrid, studded with bronze nail heads.”  The restaurant also provides plenty of reflection with its “Taj Majal mirrors” placed strategically throughout the interior.  

The specifications of materials and products for the RED O Newport Beach restaurant are thoughtful and logical displays of durability, relating back to the origins of Martyn Lawrence Bullard’s inspiration from around the world.  The distressed leather upholstery may be of concern for feeling a bit cold to the touch when being seated during the winter months; however, the selections overall were appropriate for commercial grade maintenance,  yet creative to still aesthetically reflect the appeal of real hardwood floors and tables mixed with the authenticity of European tiles.  I would highly recommend RED O restaurant in Newport Beach to anyone looking to enjoy great Mexican Cuisine while experiencing an exciting escape from reality where they are immersed into a fusion of cultures.    

Resources
Bullard, M. L. (2014, February 22). RED O. MartynLawrenceBullard.com. Retrieved April14,2014, from http://martynlawrencebullard.com/livelovedecorate/design/red-o.
Lauren. (2013, November 01). Rick Bayless Debuts RED O in Newport Beach This Month. OCFoodies.com. Retrieved April 14, 2014, from http://www.ocfoodies.com/profiles/blogs/rick-bayless-debuts-red-o-in-newport-beach-next-month.
(2012, November 05). Los Angeles’ RED O Restaurant Mexican Cuisine by Rick Bayless Coming to Fashion Island. Retrieved April 14, 2014, from http://www.irvinecompany.com/los-angeles%E2%80%99-red-o-restaurant-mexican-cuisine-by-rick-bayless-coming-to-fashion-island
      

 

Bank Turned Luxury Home


Inside a Bank Turned Luxury Home
by
Kayla Cozad

 

      This article I have found is from the site CNN Money where a former bank teller bought her old workplace in 1989 and turned it into a spectacular home , complete with a bar in one vault and a sauna in the other.
The new owner of this bank Cathy Calhoun bought the bank for 52,000 dollars and took 24 years to transform this bank, built in 1872 into a spectacular home. The bank is located in Spring City, Pa; the space includes a fully stocked bar, a sauna and an entertaining space in the old lobby. What Ms. Calhoun did to this old bank now has a total of about 5,200 square-feet of living space. There are three bedrooms and three baths, with many old fixtures and spaces that have been kept and reimagined. For instance, Calhoun turned the old "coupon room," where affluent bank clients used to clip coupons from their bearer bonds, into a powder room. Also one of the old vaults has been turned into a fully stocked bar, Ms. Calhoun removed a wall of safe deposit boxes to free up seating room, but left the other wall of boxes intact. Calhoun in the process found many interesting things and saved some of the trinkets into a display as memorabilia. Calhoun also removed the dropped ceiling, restored the lobby's soaring 40-foot height and repaired the original coffers and skylight
(She also hired a ceiling painter to duplicate the pink clouds and baby blue skies commonly seen in the Pennsylvania countryside at sunset. She kept the old double entrance doors but playfully gold-lettered "Calhoun Federal" on them. Potential customers still knock on the doors to inquire about banking services. She transformed the old boardroom to a bedroom .
Ms. Calhoun left the entryway to the old boardroom intact and made it her master suite. She had to do very little to restore the bedroom area. She just had it spackled and painted, and added a large, luxurious bath. A second fault was turned into a sauna with a door from the original vault. 
( There's also a hidden room in the basement where, the local historical society believes, the old bank note printing press survives. The old brass and the steel vault doors only need to be cleaned with a bit of Windex, the marble and granite walls covered with layers of dark grime. They cleaned up real nice, though, even revealing the veining in the marble. The walls are three-feet thick and keep the home cool in the summer and warm in winter.
Some fun information about this vault is the old vault has a dark history. In 1921, seven bank robbers herded seven bank directors, two employees and two customers into the unventilated space.
“When the original Seth Thomas street clock that used to project out over the front doors was returned it to its place of honor, the unveiling attracted half the town. "People were crying," said Calhoun. "They remembered as children telling time by the clock."
                                  Bibliography

 Christie, Les. “Inside a bank turned luxury home, $52,000 and 24 years of renovations.”
            Money, CNN. 1 Nov. 2013.
            http://money.cnn.com/gallery/real_estate/2013/11/01/bank-home/index.html

Thursday, April 24, 2014

ReddWood

ReddWood
By: Dana Benoit

 ReddWood restaurant in Yountville, CA. was completed in January 2012 by interior designer Erin Martin and head contractor/consultant Tim Harmon. ReddWood is named after the Michelin rated chef, Richard Reddington. The finished product is a dark and moody upscale Italian restaurant. The first thing you notice upon entering is the custom giant copper plated buoy chandelier over the industrial steel vintage desk with Calcutta marble slab.

The entire space has concrete floors, a private dining room with glass and metal pivot doors, and the kitchen prep area is floor to ceiling white subway tiles.

Nearly everything in this space is custom. The walls are slat wood, for acoustical purposes, but Erin has hand written quotes in random places, adding just the right amount of humor. The lights lining the dining room are all custom made on one linear piping system. The shelving system to hold supplies and dishes are custom made in dark metal. The same dark metal is repeated throughout for an industrial feel. The lights over the bar are vintage records from the early 1900’s, with Edison bulbs.

 
The chairs were purchased from one of the middle states for next to nothing, recovered in black leather with brass nail head detail. The built in booths are custom made as well in rich black tufted leather. The space is actually quite small, so Erin made a custom glass partition between the bar and dining room to create privacy without creating a visual block, and the word “Bar” is hand painted in gold. The budget was very tight, with little to nothing allotted for art. The private dining room has an art wall compiled of magazine clippings, and journal entries from the chef himself. The wine wall was custom built as well, all metal rounding out the industrial feel. The “Wappo Hill” mailbox in the center was procured from Margarit Mondavi herself.

 
To maximize the space, there is an antique mirror wall behind the bar to reflect light. Erin opted to have the walk in wine fridge have a glass door. Of course, two fiberglass pigs from Italy hover over the door.  The designer utilized wood, glass and metal to create this sexy, moody space, incorporating vintage and custom pieces to truly make it unique.

I can’t talk about ReddWood and not mention the Hotel lobby directly across from the restaurant that the designer designed simultaneously. Here, is my favorite feature. The ceiling is made up entirely of recycled scaffold boards, where local artists hand painted the boards with just wood stain. The result is a dramatic piece of art, with a huge capiz globe hanging from the center.

 
The budget for art was low here as well; so the designer took hundreds of golden skeleton keys, and hung them from the wall all in a row. The signs for the restrooms reads “He-She” and “She-He”. The men’s restroom includes a Trans Am hood hanging off the wall.

Erin’s sense of humor, imagination and fearlessness truly transformed this entire North block of Yountville.
Work Cited:
Images from www.erinmartindesign.com: Tubay Photography

ANQI


ANQI
Karina Tropp & Natalie Larriva

ANQI is a dynamic and culinary experience in Vietnamese fusion food, located adjacent to Bloomingdales in Costa Mesa’s South Coast Plaza. The design concept evolves from the imagination of its owner, Mrs. Elizabeth An, by incorporating Feng Shui and modern sustainability based on the four elements: Earth, Water, Fire and Wind; The color Red is used as an accent throughout the space because of its unique and powerful significance in Asian culture: energy, strength, spirit, flavor, and spice. Red is a symbol of good luck in Asian cultures representing fire and passion, the very emotions that this space and savory dishes inspire.

Through the use of lightweight and crystallographic partitions which slide on a rail, the approximately 8000 square foot floor plan can be subdivided into different intimate areas, or easily be combined to use the space at full capacity. In the middle of the restaurant there is a glass floor runner to be used as a catwalk during fashion events. There are also two private dining areas, one of which contains a “secret kitchen window” to view the chefs at work.

 
There is special emphasis on the use of different textures throughout the space. Some material colors may look similar in hue, but they offer a completely different sensation when touched. Another design highlight was the use of several types of flooring and the close attention paid to its joinery, unconventionally finished as triangular tips.
 
Floor types ranging from reclaimed wood, polished concrete, pebbles, and slate flooring all serve to create a space that feels both organic and modern.

 
The ambience is contemporary but has an eclectic component, bought fourth by the use of antique Asian furnishings and art. The use of large scale wooden structures on walls and ceilings create a sense of outdoor living in an indoor space.

The lighting, which is backlit from behind the wooden structures, emphasizes this dramatic entry installation,  and bird cages hanging from above add a playful touch. This smooth transition between indoor to outdoor areas is typical of Asian architectural tradition.

 

 
 
 
 
 
 
As previously mentioned, the design bases its inspiration on the four natural elements. Upon entry, the bar and reception desk were designed to represent the element Earth.
Thick poured concrete with added stone countertops, bases, and metallic rusted panels all draw on Earths heaviest materials. The floor to ceiling wine display and dramatic catwalk are made of cool green and blue glass, and represent the element of Water. The partitions, made with glass and metal frames covered with various sheer and semi-opaque textured fabrics, represent Wind. And the red color used in the combed stucco textured wall covering, along with the oversized candles, represent fire.

The use of sustainable materials such as leather panels as wall coverings, hay rings as accent pieces, flowers, and mushrooms gave an earthy feeling to the space.  
 
Dark brown porcelain with silky texture is used for the restroom floor and part of the walls, joined by the use of a metal frame. Limestone counters, cove lighting, and glass tile accents all combine to inspire a sense of serenity and modernity. Black panels,  pyramid forms, and undulating wood all accent the ceilings throughout. The balance between dark and light adds a stark and dynamic contrast, created through the use of natural light to up lighting to wall washing to playful pendants. No stone was left unturned to ensure that ANQI features the most unique and cutting edge in design and architecture, elevating this chic restaurant from location to destination.
 
Sources:

Concrete floor/ counter- hartconcretedesign.com
Wooden entry structure- southernwoodcraft.net
Glass shelving (wine display)- stylmark.com
Combed stucco- warnockstudios.com
Sliding partitions- http://www.becker.uk.com/
Tile- daltile.com
Ceiling- armstrong.com (commercial ceiling installations)
Reclaimed wood floor- mountainlumber.com
Art installations (wall)- mywallart.com/designs
Lighting (cove, backlighting)- winonalighting.com


Peter's House, Craig Steeley designs

Peter's House
Todd Nakanishi
 
 
Peter's house
Nestled in the hills of San Francisco, architect Craig Steely designs uses modern techniques to construct a striking 1800-square-foot house. Simply titled Peter's House, engineer Jan Moolsintong and designer Peter Russell-Clarke have outfitted themselves with a bit of a "hide-and-reveal" themed living space thanks to Steely. 
 
 
 
A twenty four foot by twenty four foot poured in place concrete foundation anchors three stories without interrupting too much of the natural hill form and surroundings. Entire glass wall front opens to the view of the expansive bay view of the city, with locally sourced reclaimed Monterey Cypress trees created into solid wood louvers that regulate openness and privacy. These tall louvers begin as a fences along the north side of the top floor, which holds the kitchen, dining room, and deck. Then indoor apertures between the boards behind the glass façade to widen the scenery or adjust to their views to create a separation between private and public. The reclaimed wood is also used as a custom garage door to uncover a small area for car storage and makeshift workshop. Adding to the wood and concrete elements, marble is brought into the kitchen two bathrooms with leftovers to makeshift a coffee table in the living room. Frosted glass separates interior areas between private bathrooms and comfort space. 
 
 
 
 
 
 
 
 
I very much enjoy the materials used in this residence as it could easily be stylistic cues for myself to pick up on. Using a square concrete foundation rather digging out more space to disrupt natural drainage is a unique feature plus environmentally conscience decision. Reducing the amount of excavation typically involved in construction of this type saves money and adds to the "be different" factor. With poured in concrete as a foundation wall as well balances natural elements as well. Living along the hills of San Francisco and using glass walls to open the view tremendously and allows huge amount of natural lighting as well. I enjoyed the fact sourced Cypress trees from the expansion up ramp of the Golden Gate Bridge was reclaimed and used in a crucial factor of louvers in this project. Louvers act as vertical shutters to allow maximum sunlight as well as screen indoor and outdoor space between the public and private areas. Using as much of the local wood as flooring and casework really brings in a togetherness of an atmosphere in living space and warmness with naturally elements. The custom wood garage door is a wow factor in design, and always helpful to have a garage in a compact city. White with grey veined marble contrasts very well with the warm tones of wood, seeing this residence being very open in view I would imagine quick clean up and maintenance of marble will be kept. Another element of balance, the frosted glass interior walls to separate bathrooms opposite of the full glass wall is used precisely to still give that needed privacy but retain the open feel throughout the home. 
Given map locations by the architect, I would very much like to view this residence next time I am in the Bay Area.
 
IMAGES
 
Images cited
 
Information and images are released to public viewing and copyrighted Craig Steely and Bruce Damonte images.

Twitter Delicious Facebook Digg Stumbleupon Favorites More

 
Powered by Blogger