Thursday, April 24, 2014

ReddWood

ReddWood
By: Dana Benoit

 ReddWood restaurant in Yountville, CA. was completed in January 2012 by interior designer Erin Martin and head contractor/consultant Tim Harmon. ReddWood is named after the Michelin rated chef, Richard Reddington. The finished product is a dark and moody upscale Italian restaurant. The first thing you notice upon entering is the custom giant copper plated buoy chandelier over the industrial steel vintage desk with Calcutta marble slab.

The entire space has concrete floors, a private dining room with glass and metal pivot doors, and the kitchen prep area is floor to ceiling white subway tiles.

Nearly everything in this space is custom. The walls are slat wood, for acoustical purposes, but Erin has hand written quotes in random places, adding just the right amount of humor. The lights lining the dining room are all custom made on one linear piping system. The shelving system to hold supplies and dishes are custom made in dark metal. The same dark metal is repeated throughout for an industrial feel. The lights over the bar are vintage records from the early 1900’s, with Edison bulbs.

 
The chairs were purchased from one of the middle states for next to nothing, recovered in black leather with brass nail head detail. The built in booths are custom made as well in rich black tufted leather. The space is actually quite small, so Erin made a custom glass partition between the bar and dining room to create privacy without creating a visual block, and the word “Bar” is hand painted in gold. The budget was very tight, with little to nothing allotted for art. The private dining room has an art wall compiled of magazine clippings, and journal entries from the chef himself. The wine wall was custom built as well, all metal rounding out the industrial feel. The “Wappo Hill” mailbox in the center was procured from Margarit Mondavi herself.

 
To maximize the space, there is an antique mirror wall behind the bar to reflect light. Erin opted to have the walk in wine fridge have a glass door. Of course, two fiberglass pigs from Italy hover over the door.  The designer utilized wood, glass and metal to create this sexy, moody space, incorporating vintage and custom pieces to truly make it unique.

I can’t talk about ReddWood and not mention the Hotel lobby directly across from the restaurant that the designer designed simultaneously. Here, is my favorite feature. The ceiling is made up entirely of recycled scaffold boards, where local artists hand painted the boards with just wood stain. The result is a dramatic piece of art, with a huge capiz globe hanging from the center.

 
The budget for art was low here as well; so the designer took hundreds of golden skeleton keys, and hung them from the wall all in a row. The signs for the restrooms reads “He-She” and “She-He”. The men’s restroom includes a Trans Am hood hanging off the wall.

Erin’s sense of humor, imagination and fearlessness truly transformed this entire North block of Yountville.
Work Cited:
Images from www.erinmartindesign.com: Tubay Photography

ANQI


ANQI
Karina Tropp & Natalie Larriva

ANQI is a dynamic and culinary experience in Vietnamese fusion food, located adjacent to Bloomingdales in Costa Mesa’s South Coast Plaza. The design concept evolves from the imagination of its owner, Mrs. Elizabeth An, by incorporating Feng Shui and modern sustainability based on the four elements: Earth, Water, Fire and Wind; The color Red is used as an accent throughout the space because of its unique and powerful significance in Asian culture: energy, strength, spirit, flavor, and spice. Red is a symbol of good luck in Asian cultures representing fire and passion, the very emotions that this space and savory dishes inspire.

Through the use of lightweight and crystallographic partitions which slide on a rail, the approximately 8000 square foot floor plan can be subdivided into different intimate areas, or easily be combined to use the space at full capacity. In the middle of the restaurant there is a glass floor runner to be used as a catwalk during fashion events. There are also two private dining areas, one of which contains a “secret kitchen window” to view the chefs at work.

 
There is special emphasis on the use of different textures throughout the space. Some material colors may look similar in hue, but they offer a completely different sensation when touched. Another design highlight was the use of several types of flooring and the close attention paid to its joinery, unconventionally finished as triangular tips.
 
Floor types ranging from reclaimed wood, polished concrete, pebbles, and slate flooring all serve to create a space that feels both organic and modern.

 
The ambience is contemporary but has an eclectic component, bought fourth by the use of antique Asian furnishings and art. The use of large scale wooden structures on walls and ceilings create a sense of outdoor living in an indoor space.

The lighting, which is backlit from behind the wooden structures, emphasizes this dramatic entry installation,  and bird cages hanging from above add a playful touch. This smooth transition between indoor to outdoor areas is typical of Asian architectural tradition.

 

 
 
 
 
 
 
As previously mentioned, the design bases its inspiration on the four natural elements. Upon entry, the bar and reception desk were designed to represent the element Earth.
Thick poured concrete with added stone countertops, bases, and metallic rusted panels all draw on Earths heaviest materials. The floor to ceiling wine display and dramatic catwalk are made of cool green and blue glass, and represent the element of Water. The partitions, made with glass and metal frames covered with various sheer and semi-opaque textured fabrics, represent Wind. And the red color used in the combed stucco textured wall covering, along with the oversized candles, represent fire.

The use of sustainable materials such as leather panels as wall coverings, hay rings as accent pieces, flowers, and mushrooms gave an earthy feeling to the space.  
 
Dark brown porcelain with silky texture is used for the restroom floor and part of the walls, joined by the use of a metal frame. Limestone counters, cove lighting, and glass tile accents all combine to inspire a sense of serenity and modernity. Black panels,  pyramid forms, and undulating wood all accent the ceilings throughout. The balance between dark and light adds a stark and dynamic contrast, created through the use of natural light to up lighting to wall washing to playful pendants. No stone was left unturned to ensure that ANQI features the most unique and cutting edge in design and architecture, elevating this chic restaurant from location to destination.
 
Sources:

Concrete floor/ counter- hartconcretedesign.com
Wooden entry structure- southernwoodcraft.net
Glass shelving (wine display)- stylmark.com
Combed stucco- warnockstudios.com
Sliding partitions- http://www.becker.uk.com/
Tile- daltile.com
Ceiling- armstrong.com (commercial ceiling installations)
Reclaimed wood floor- mountainlumber.com
Art installations (wall)- mywallart.com/designs
Lighting (cove, backlighting)- winonalighting.com


Peter's House, Craig Steeley designs

Peter's House
Todd Nakanishi
 
 
Peter's house
Nestled in the hills of San Francisco, architect Craig Steely designs uses modern techniques to construct a striking 1800-square-foot house. Simply titled Peter's House, engineer Jan Moolsintong and designer Peter Russell-Clarke have outfitted themselves with a bit of a "hide-and-reveal" themed living space thanks to Steely. 
 
 
 
A twenty four foot by twenty four foot poured in place concrete foundation anchors three stories without interrupting too much of the natural hill form and surroundings. Entire glass wall front opens to the view of the expansive bay view of the city, with locally sourced reclaimed Monterey Cypress trees created into solid wood louvers that regulate openness and privacy. These tall louvers begin as a fences along the north side of the top floor, which holds the kitchen, dining room, and deck. Then indoor apertures between the boards behind the glass façade to widen the scenery or adjust to their views to create a separation between private and public. The reclaimed wood is also used as a custom garage door to uncover a small area for car storage and makeshift workshop. Adding to the wood and concrete elements, marble is brought into the kitchen two bathrooms with leftovers to makeshift a coffee table in the living room. Frosted glass separates interior areas between private bathrooms and comfort space. 
 
 
 
 
 
 
 
 
I very much enjoy the materials used in this residence as it could easily be stylistic cues for myself to pick up on. Using a square concrete foundation rather digging out more space to disrupt natural drainage is a unique feature plus environmentally conscience decision. Reducing the amount of excavation typically involved in construction of this type saves money and adds to the "be different" factor. With poured in concrete as a foundation wall as well balances natural elements as well. Living along the hills of San Francisco and using glass walls to open the view tremendously and allows huge amount of natural lighting as well. I enjoyed the fact sourced Cypress trees from the expansion up ramp of the Golden Gate Bridge was reclaimed and used in a crucial factor of louvers in this project. Louvers act as vertical shutters to allow maximum sunlight as well as screen indoor and outdoor space between the public and private areas. Using as much of the local wood as flooring and casework really brings in a togetherness of an atmosphere in living space and warmness with naturally elements. The custom wood garage door is a wow factor in design, and always helpful to have a garage in a compact city. White with grey veined marble contrasts very well with the warm tones of wood, seeing this residence being very open in view I would imagine quick clean up and maintenance of marble will be kept. Another element of balance, the frosted glass interior walls to separate bathrooms opposite of the full glass wall is used precisely to still give that needed privacy but retain the open feel throughout the home. 
Given map locations by the architect, I would very much like to view this residence next time I am in the Bay Area.
 
IMAGES
 
Images cited
 
Information and images are released to public viewing and copyrighted Craig Steely and Bruce Damonte images.

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