Friday, May 27, 2011

Who is Aaron King?

Name: Aaron King

Koncept Design Group

Tell me how you got started in this field?

I went to college for production and started my own production company. We produced commercials for companies including National Car Rental, L’Oreal, Skil Tools and many more. I then transformed my company into a full service interior design firm that specializes in hospitality, however we still produce commercials, and I have also designed for corporate spaces and residential spaces.

What educational background or related experience might be helpful for someone entering this field?

An education in Interior Design is extremely helpful because you learn the codes and standards. However, an education in any field of art and design is helpful because you learn to train your eyes to see things in ways that most peop

le aren’t able to and that is helpful for Interior Designers also.

What are the opportunities available for growth in this field?

There are so many different avenues you

can take within design and many career paths you can take even in a very specific area of design.

Where do you see yourself in five years?

I hope to expand my company and be busy enough to employ a full time staff of five to ten designers.

Does the market look promising for people starting out in this career?

Through this economic recession I have had to lay off designers and cut back on hours simply because the work wasn’t there. Right now it seems the economy is picking back up and things are starting to get busy again. So yes I think that this career is looking promising for people who hope to get started in the next few years.

What do you find most rewarding about this job?

I love seeing my designs and ideas come to life, having a vision and making that vision a reality.

Are there any fringe benefits that particularly attracted you to this field?

Owning my company is beneficial because I am able to make my own hours, attend my sons little league games and also volunteer in the community. I have also had paid traveled to some great places while working on commercials.

What are the toughest challenges you have had to deal with?

Budgets and working on a project that has many clients and satisfying all of them.

What workplace demands do you have outside of the actual job?

It’s hard to leave work at the office. People are constantly calling the cell phone or emailing and needing answers or clarifications.

How much flexibility do you have in terms of hours, dress, etc.?

My hours are incredibily flexible because I am able to make all my own appointments and meetings. Dress is also flexible because its just me and two other designers in the office.

Do you have a favorite project that you worked on? What was it?

At Koncept Design Group we work on the designs for many Marriott Hotels. I enjoy the variety in designs we are able to achieve. I also did a private residence in Long Beach that remains on of my favorites.

Marriott LAX Airport: J.W. Steakhouse

Marriot LAX Airport : Porte Cochere

Private Residence Long Beach, CA







Wednesday, May 25, 2011

NKBA at DalTile



National Kitchen & Bath Association Meeting

DalTile Showroom

Anaheim, CA

Tuesday, May 17, 2011





The NKBA had one of its meetings here in Anaheim at the DalTile showroom. As you might have guessed, this meetings was to educate us about tile and teach us a little bit about what to look for when installing tile. We also learned how to install tile ourselves!

The meetings started out with a meet & greet, where everyone got to walk around and meet vendors and other designers or installers. I picked up a few catalogs and received some nice pair of earings. There were drinks and snacks and everyone was really nice and helpful. A few students there from OCC were there as well as my illustration teacher, Rachelle K. After the meet & greet there was salad, food and dessert; already money well spent :).


There was a small presentation about tile and NKBA, as well as information about future events, some of which i plan to attend. As well as some prizes that would be given away at the end of the meeting. We were going to install tile and create a design, then we were going to be judged to see which one was the best. ( i liked my teams design the best!)






We broke into teams of 5-6 and had about 30 minutes to come up with a design and create it. We set down the mortar mix and placed the tile down with spacers so that it would look even. It looked awesome! the only thing we didn't do, was lay down the grout, but that wouldve taken way too long. In the end, we all applauded the winners and left satisfied knowing that now we could install our own tile at home! It was really fun and educational, although it was really messy :P.


If I get the chance, I will definitely go to another meeting again. There is two meetings in June, the on in Orange is at MSI Premium Natural StoneShowroom. You also get a DISCOUNT for being a STUDENT, so don't miss out on this great opportunity. There is also discounts if you want to register to be a member, for students. So if you're interested, just go to http://www.nkba-socal.org/ to register.



Laura Salcido, OCC

Monday, May 16, 2011

Walpole Woodworkers by Caroline Persohn

Walpole Woodworkers is an East Coast based company established in 1933. They are among the foremost manufacturers of wood based fencing products in the country.

Walpole Woodworkers products are constructed solely of Northern White Cedar. The wood is selected because it naturally ages to a silver sheen, is extremely durable, decay resistant and exceptionally resistant to the elements. Prior to metals and synthetics, cedar was used for all outdoor construction, including ship building, home construction and food storage kegs


The wood is cut at company owned mills in Chester and Detroit, Maine, and is controlled from forest to finish thus enabling product control in all aspects. Additionally, all parts of the wood are used; if one size is not suitable for production, the cuts are not wasted but recycled. Bark is used for fuel for co-generation electrical plants or mulch.

Walpole Woodworkers has developed an exclusive pre-staining process for a variety of colors. Primer is applied to minimize the cedar's natural bleeding. A stain is applied called Flo -Coating, thus ensuring coverage of every crack and crevice. The stain and cedar wood create a natural bond and produce a rich uniform finish that will last and is superior to traditional fence staining.

The custom machinery built by Walpole will provide standards of sanding and sawing tools. The colors used for fencing products are Benjamin Moore, 100% acrylic latex and formulated
in solid color blends echoing the traditional colors of East Coast architectural designs. Primarily grays and blues, the color selections compliment the traditional designs.

Walpole offers products ranging from bird houses, sundials and door knockers to extensive pergolas, gazebos, mailboxes, garden fencing and gates in a variety of choices that will compliment home and landscaping, children, pets; designs that range from rustic to traditional and formal. One additional feature Walpole offers is an optional post base for fencing designs. Called "The Lifeguard", these post bases protect the base of posts from termites or wet soil conditions; obviously an attractive feature in East Coast or beach communities. The Lifeguards help prevent wicking that will age and weaken posts. The difference between these posts and ones constructed from PVC is that PVC will settle and weaken over time due to no bottom surface. Lifeguard posts have a lip at the bottom of the base to resist settling and in winter months avoid the damage of ice and frost. Additionally, termite collars deter deep pest infestation.

Lastly, the company has provided fencing products in some of the most discerning, historically significant landmark homes and structures in the United States; including The Massachusetts Historical Society, The Edith Wharton home "The Mount", and the Historic Entrance Gates at the Governor's Mansion in Old Westbury, New York.

Walpole products are available in states beyond New England, but showrooms are not. The company has nationwide representatives who can measure and ensure the product Walpole delivers in perfect. I have Walpole entry gates and fencing in my own home, and I am familiar with this product and the durability is has given my home.



mail.jpg







Friday, May 13, 2011

ALL ABOUT TRISH SECOR...

Business name: Archetype International

Business owner’s first and last name: Trish Secor

Business address: 523 North Grand Ave. Suite A

Santa Ana, CA 92701

How did you get started in this field?

An Interior Design class was offered in my senior year of high school. I remember that the teacher stated that there is a distinct difference between decoration and design. I then attended San Diego State as an undeclared major, and I quickly discovered that you could actually “major” in Environmental/Interior Design.

When I graduated from college, there were few commercial design firms to work for at the time. I was able to find work with a real estate developer assisting home owners with their interior finish selections in a “design center”. After that, I workedfor a flooring contractor for a short time, and eventually landed a job as a designer with a commercial interior design firm. The company provided furniture as well as tenant improvement interior design. I worked for two firms of this nature during the go- go 1980’s when the building boom of commercial high rises were keeping space planners very busy. After 9 years of working for other firms, I found it increasingly difficult to meet the demands of motherhood for my baby girl, and a full time job, so I decided to start my own business. My husband became my partner two months later. He is a licensed architect with similar experience.

What educational background or related experience might be helpful for entering

this field?

An Associates degree, a Bachelor of Arts degree in Environmental Design, or Interior Design. Internships or jobs in design, architecture or facility management.

What are the opportunities available for growth in this field?

The field is constantly changing. Architecture firms have added interior designers to their staff. Specializations in commercial design, healthcare design, and hotel and restaurant work are becoming more and more key. Large companies, the military and government agencies have their own space planning and interior design divisions.

Does the market look promising for young people starting out in this career?

Yes, as long as the individual is committed to lifelong learning and continuing to focus on specialties that meet the market demands.

What do you find most rewarding about this job?

Being able to interact with so many different types of clients and learn about their operations and careers. Police, Fire, Lawyers, Corporate, Research and Development, Engineering, Manufacturing, etc.

If you had to do it over, would you be in the same career?

Yes.

Are there any fringe benefits that particularly attractedyou to this field?

Reading design magazines, examining great architecture, and buying amazing art, are often what many people can only do for recreation.

What are the toughest challenges you have had to deal with?

The most challenging issue in our business is the consistency of work flow to keep employees on staff. This type of business fluctuates with the economy.

What problems does the industry/field have as a whole?

Marketing and public relations to promote our value needs constant attention.

What is being done to address these problems?

The industry has done a good job on this issue in the last few decades but willalways need to continue this effort. Groups like CCIDC, NCIDQ, IIDA, and other specialty organizations are doing a good job collaborating and informing legislatures and the public. However, it’s primarily volunteer and supported solely by our own efforts and contributions.

What workplace demands do you have outside of the actual job?

I started my business because I wanted the freedom to raise my family without being tied to a 40-60 hour per week job. We also provide this kind of family friendly flexibility to our employees. This was unique in 1987 and we were not sure if we could make it, but we did.

How much flexibility do you have in terms of hours, and dress?

Our policy has always been to try to design individual work schedules to meet the family life needs of all. Our dress policy is “professional”.

What kind of salary range could a person entering the fieldexpect?

It’s too broad of a field to generalize.

What are the benefits (paid vacation, insurance, retirement, etc.)?

Again, it depends on the nature of the employment. A large corporation or a government agency will likely be able to provide more benefits than a small firm. The tradeoff is generally in the type of work.

Do you have a favorite project that you worked on? What was it?

The Orange County Register newspaper decided to develop a daily newspaper in 2005 called OC Post. The design criteria included designing a team environment where each section of the paper had its own identity. Additionally, each section could see their work being developed digitally on a wall of monitors so that collaboration could be maximized. The newspaper executives, who developed this daily news product, requested that the interior design be completely different than anything previously done at the Register. All of these criteria were presented to us on a Friday afternoon in June, and the product was scheduled to be up and running within 60 days. It was a fun project to fast track and to develop creative solutions almost as they were being constructed in the field.

What are you currently involved with in the industry? Associations? Boards?

International Facility Managers Association (IFMA), President 2004 – 2005

Certified Facility Manager, IFMA, 1996

Building Owners and Managers Association (BOMA) 1989 - present

Seminar instructor for BOMA, Project Planning and Management

BOMA California - Legislative Affairs Board Representative (BOMA CAL) 1999 - 2009

Interior Design Advisory Council, California Community College Consortium

LEED AP, 2008


All questions answered by Trish Secor.

GET TO KNOW JIMMY NHIEU...

Tell me how you got started in this field?

I first took classes at Orange Coast College and discovered I had a talent for Interior Design. I then went on and graduated with a Bachelor Degree from Woodbury University.

Where have you worked?

Ware Malcomb, Pjar Architects, and Pugh + Scarpa Architects

Recently, I left the design industry and entered into the solar industry and currently work for a solar panel manufacturer.

Does the market look promising for (young or older) people starting out in this career?

Right now the market looks bad but also looks like it is getting better.

What do you find most rewarding about this job?

The joy and happiness of clients seeing the drawings come to life.

If you had to do it over, would you be in the same career?

Yes, but I would not have had as much educational, I found the experience of working in a firm more beneficial.

What are the toughest challenges you have had to deal with?

Client attitudes and personalities, budgets, and city regulations are some of the tough challenges I had to deal with.

What problems does the industry/field have as a whole?

There are a lot of big egos in this industry and over confident designers.

How much flexibility do you have in terms of hours, dress,etc.?

Not a lot of flexibility, I was working 14-16 hours a day while working as a designer.

What kind of salary range could a person entering the field expect?

About $30,000-$35,000 is what a person entering into this field can expect.

Do you have a favorite project that you worked on? What was it?

Culver City Burgamount Station

Houston’s Nike Corporation

What are you currently involved with in the industry? Associations? Boards?

I am currently a member of ASID and IIDA.

What else can a student do to prepare for a career in this field?

Get as much experience as possible.

Saturday, May 7, 2011

NKBA Meeting - Dal Tile in Anaheim

Hi everyone! The National Kitchen and Bath Association, Southern California Chapter, has its chapter meeting at Dal Tile & Stone Gallery in Anaheim, CA, on May 17, 2011 PST from 6 to 9 PM. Everyone is invited! This particular meeting involves tile setting and grouting -- every attendee is going to have a chance to do both. I think this is good learning experience for all of us.

There is a fee to reserve your seat; however, students get a little discount. Dinner is included. There is going to be a raffle for tickets to the Magic Castle. Please check out the association web site for more information.

www.nkba-socal.org

Wednesday, May 4, 2011

CBI Showroom

Visiting Corporate Business Interiors’ Irvine showroom is a wonderful experience. Julie Sherwin at CBI is a wonderful host and explained the materials and finishes used throughout the showroom floor. From the moment you walk in the doors your eyes are flattered by a wide array of materials. The grand entry is lain with Arizona Tile porcelain flooring leading to the Furniture Solutions entry platform but the first thing to catch the eye is the Texton Terra textured wall finish laying perfect background to three chairs.











This textured wall draws the eye immediately into the space with its rough and rugged horizontal lines, clearly left with detail edge of a cement trowel.

The flooring on the right of the entry is Chilewich woven vinyl floor which captures the attention of all who enter because it’s unique pattern and subtle intricacy.

Interface carpet tile in Footnotes pattern guides you gently through the showroom to the next interesting wall covering, the woven wall has several pieces of upturned bow-tie shaped pieces of white metal that are interwoven and suspension-braced. Each piece can be pulled from place and return to it’s original location. The Cooper Lighting down lights, wall washers and low-voltage accents provide wonderful focused light. Also used throughout the space are: Focal Point fluorescent light fixtures, Hampstead lighting, Lumenart, RSA Lighting, Schmitz lighting.

The conference room uses DIRTT wall and glass partitions, Furniture Solutions credenza. The kitchen area features a large hospitality center by Furniture Solutions, a SpecsCeramics Quartz slab and Gunlocke overhead storage cabinets. The flooring in the kitchen was originally a cork mosaic bordered by Wicanders cork tiles but had recently been removed and replaced with a more durable laminate flooring with a dark wood finish. Some of the striking upholstery fabrics utilized throughout the space are by: Allsteel and Gunlcke, Arc Com, Bernhardt, Carnegie, Dani Leather, Jhane Barnes, Luna Textiles and Maharam.
One of the most interesting panel materials used in the workspace solutions in the showroom was the Allsteel Landscape™ Surfaces Pearlescent Strata: Glacier PS01 made from 100% recycled polyester resin that is originally used in the manufacturing of buttons in Muscatine, Iowa but is now beautifying workspaces as it is used as very appealing luminescent paneling.

There are so many sustainable building and interior products that are being manufactured and recycled to better preserve our natural resources and reduce waste in the land fills. The options CBI included even in their showroom are just a few. I thoroughly enjoyed walking through this new space and hearing about some of the ways that even in the ccorporate world we can specify sustainable materials and products.




































Case Study: The Screen Hotel by Stephen Nguyen & Dai Thai

The Screen Hotel



Japan's seventh largest city, Kyoto, is one of the cities that everyone should visit sometime in their life. The Screen Hotel features 13 unique individual rooms. Each of the rooms have their distinct ambiance and design. With a wide variety of rooms available, each will tailor to guests' preferences. http://www.agoda.com/asia/japan/kyoto/the_screen_hotel.html?type=1&site_id=1410012&url=http://www.agoda.com/asia/japan/kyoto/the_screen_hotel.html&tag=502da298-3b1d-46d7-a281-1af2732c26a7&gclid=CL7Xy6DzwKcCFR9NgwodZCmU-A











Lobby



The lobby's design is simplistic. Here, everything at ground level is crisp and is free from busy textures. This is an ideal front desk for check-ins--an ambiance that suits the guests' unarrived presence after their long flight or hectic day. http://www.wallpaper.com/travel/fab-40-the-screen-hotel-kyoto/3825











Koto no Akari (Umbrella Lighting)



The Koto no Akari lighting fixtures originate from Kyoto. They transmit warmth and nostalgia--essential in welcoming guests for their vacation trips. http://openkyoto.com/accommodation/kyoto-the-screen-hotel.html








Japanese Lacquer Art: Kourin Ogata's Masterpiece "Kakitubata Byoubu"



This is a hand painted lacquer art that recreates a masterpiece. Size; 40×80cm/each (2 pieces in 1 set, total size: 40x160cm) Ogata Korin (1658-1716) is born as a child of a tailor and studied Kano style painting.Then move towards more gorgeous style by Koetu, Sotatu and started creating his style. He also contributed to the genres such as lacquer paint and dye painting. His style was succeeded and created Rin style. He is known for " Kakitubata Byobu" " Red and white Plum Byobu" " Yatuhashi Byobu." http://www.jmarket.com/Japanese-Lacquer-Art-Kourin-Ogata-s-Masterpiece-Kakitubata-Byoubu.html




Room 101





Shoji doors


The main visual element is the hand painted fusuma sliding screens with their ‘night’ and ‘day’ sides. When you come back to your room at night, on the living room side you will see irises which is considered a night flower and somewhat romantic. In the morning, when you wake up, on the bedroom side you will see morning glories, dramatically lit. http://openkyoto.com/accommodation/kyoto-the-screen-hotel.html





Room 102


Room 102 is most definitely a personal favorite. The personal space here plays a role in which formal and refreshing take place in the atmosphere. With either a close friend or dearest, the light dimmers will further connect your relationship. http://www.screen-hotel.jp/en/stay/suite.html







Chöpa tatami half zen mats



Tatami half zen mats are selected for Room 102's lounge area. The choice is reasonable because within this space, there isn't a constant foot-traffic; rather, guests kneel down comfortably on the Japanese styled hand-woven rush grass flooring with fabric border. Now, it may seem an unpleasant idea to be sitting by the table because of coldness. The tatami mats actually absorb heat well. The natural scent the mats give off is also an element of relaxation. The tatami measures 90cm x 90cm; 35 1/2" x 35 1/2" x 2" square. http://www.all-about-teaching-english-in-japan.com/tatamimats.html







Zabuton cushion with hemp cover (4.5" loft)



Another element accompanying the lounge seating area, are the cotton-stuffed pillows that cushion the knees and ankles. These are hand-made and comprise of cotton shell, hand-tufted. Not only simple and elegant, functionality is coordinated. http://www.samadhicushions.com/Zabuton_Cushion_with_Zippered_Hemp_Cover_p/c-530-hemp.htm



Our Zabuton Meditation Cushion from Japanese Zen in organic hemp zippered cover Use with the hemp Zafu or other meditation pillow. Cotton stuffing cushions the knees and ankles during meditation. Hand-made to the highest quality - cotton shell, hand-tufted. Room for your legs (27" x 33"). Zippered cover can be removed and laundered.







Traditional patterns


A variety of traditional Japanese crests are printed in metallic gold. The diameter of a crest is approx. 0.8inch (2cm) in average. Good for crafts as well as wearables. Fabric thickness: approx. 0.33mm http://www.fabrictales.com/STORE/store.cgi?cart_id=2946037.4709.s0&product=dento&productid=100613&sales=0&lastmenu=





Rooftop Sky Lounge

What can be more breath-taking than a terrace overlooking Kyoto? http://www.wallpaper.com/travel/fab-40-the-screen-hotel-kyoto/3825




Kenkoon contemporary garden deck chair




Aluminum circular/ round parasol/ umbrella in wooden-grain finish

Packing: General Export Packing

Standard: Dia. 300

Productivity: 2500 PCS/Month

Unit Price/Payment: FOB & Tt

Trademark: JINGHUI METALWORK

Origin: Foshan, China

Min. Order: 1x20' Container. Mix Products' Order Is Acceptable

Transportation: Ocean Shipping

Frame Material: Aluminum

Material: Aluminum

Style: Modern

Type: Patio

Fabric: Polyester




Stainless steel and garden chair


Packing: General Export Packing

Model NO.: AC009ST

Standard: 54x61x88 Cm

Productivity: 2500 pcs/month

Unit Price/Payment: FOB & TT

Trademark: JINGHUI METALWORK

Origin: Foshan, China

Min. Order: 1x20' Container. Mix products' order is acceptable

Transportation: Ocean Shipping

Frame Material: Metal

Material: Stainless Steel

Style: Modern Type: Patio

http://jh-gardenfurniture.en.made-in-china.com/product/iboEmkwxbIcB/China-Stainless-Steel-Chair-Graden-Chair-AC009ST-.html




Stainless steel table


Dining or Bar Height Stainless Steel Table Base with 18" x 18" spread. This flat bottom stainless steel base is suitable for various table top sizes; its weight and construction is ideal for heavier granite and marble tops. The strength of this steel base facilitates use in commercial application settings such as part of restaurant furniture, airport and university food courts as well as casino, club and night club seating areas. And, because it is suitable for outdoor use, this indoor/outdoor steel table base is great for restaurant patio furniture and university and office outdoor seating areas. Available in both dining height and bar height. #91818 - 18" square for table tops up to 40" (Dining Height-53 lbs. Bar Height-53 lbs.)#92121 - 21" square for table tops up to 42" (Dining Height-59 lbs. Bar Height-60 lbs.) http://beaufurn.com/products/detail/91818-table-base/11/



Tuesday, May 3, 2011

BIM for Lighting

BIM for Lighting Seminar

IES LA Event, Proud Bird Restaurant

Los Angeles, CA

April 21, 2011

On April 21, 2011, the Illuminating Engineering Society (IES) conducted a seminar about Building Information Modeling (BIM). Lecturer Brian Stacy has extensive experience in lighting design and related systems for exterior and interior environments. He is the principal lighting designer for Arup NY and Arup SF, Lighting Leader for the Americas, and a LEED AP. His seminar was about the benefits of BIM both in regards to lighting and as a benefit to an entire project.

What are the traditional ways of embarking on a project? The traditional method is using a linear line of reasoning -- a straight line from A-Z. I would analogize this to a Kantanian causation model where A always leads to B, and B always leads to C. What happens if you start the same project as before, but then digress? You may want to jump from L to S to Z. You would still master the entire project, but minus unnecessary costs and in less time.

How BIM benefits the lighting professional is more technical than anticipated. Most manufacturers these days provide access to downloadable IES and BIM files. These files enable lighting designers and engineers to download the light fixtures to feed the project, including data and drawing. Brian emphasizes that BIM opens the door for each key participant to be intertwined with the project at each stage of the project process.

Success does not come without work. In BIM, a lot of work is accomplished upfront. Even before the aspired fabrication and construction stages, myriad adjustments will have been made. BIM is a great tool for thinkers and visionaries to mingle about every controllable variable that may affect the project before anything is physically built.

BIM streamlines the project by setting milestones and assigning roles. It helps establish ownership of the project and delineates who is in control at any given stage. I was astonished to hear that BIM comes with legal documentation to create ownership: Form AIA Document E 202-2008 currently is used as the Building Information Modeling Protocol standard contract. This document is the heart of every project -- it establishes protocol AND expedites the levels of development (LOD).

Brian presented several images created with BIM. The program was capable of putting shadows and shadings between buildings. This takes place during the programming stage. BIM even shows the daylight shadows and shadings in multiple adjacent buildings.

Brian discussed one project at some length to drive home the point about BIM: The Cellophane House -- an offsite fabricated dwelling commissioned by the Museum of Modern Art (MOMA), New York, NY. Link: http://www.kierantimberlake.com/featured_projects/cellophane_house_1.html#. It symbolizes the strengths of BIM: Optimization of costs, quality, and scheduling. BIM enables us to finally model a building and its performance (e.g. lighting) inside a computer system before putting the shovel in the ground.

BIM is what I call efficiency. More upfront work? More critical thinking? Less room for irreversible mistakes? I have positive thoughts about BIM from a technical stance. I have quarreled about the legal side aspects, however. Brian explained that BIM makes parties to a project liable, jointly and severally. When signing the aforementioned standard contract, the parties expressly waive all forms of liability against each other.

This is a neat idea; yet, culture is real and ideal: A court of Law and Equity entertains suits against responsible parties (e.g. Contractors A and B), not against a crowd of tangentially involved individuals (e.g. The BIM Group). Why would any court hold Contractor C liable for the wrongful death caused by Contractors A and B? Set aside the practical issues, why would Contractor C even want to agree to such a contractual arrangement?

I have mixed feelings about the subject matter discussed in this seminar. Apart from learning more about BIM, I was also intrigued by the information exchange between professionals from different fields during the seminar: Architects -- the master builder of models; Consultants -- model control developers; Builders -- advisers of models; Lighting Engineers and Designers -- visionaries; Product Manufacturers -- makers of products; Students -- the think tanks. I encourage each one of my fellow students to partake in such events. Now I am looking forward to taking BIM next term -- BIM is not like the mysterious MIB (Men in Black) anymore.

I almost forgot to mention one major downfall of this event: I did not win the raffle for a 1 Year free membership. Another tip: If the event takes place at this restaurant again, skip the cocktails unless you are fine with spending big on a glass of colored water called Margarita... c",)

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